Triple F.A.T. Goose presents - The TFG Rep Launch Party!!!!! with live performances from Nitty Scott, MC & Futurist - followed by our TFG Rep Open Mic Jam & the Battlefield Drum Company Drum Off.

When? Saturday April, 14th R Bar NYC!! RSVP here to receive a free gift item: www.TFGparty.com — Stay up to date with added sponsors and news here: www.facebook.com/triplefatgoose.

YOU WILL NOT WANT TO MISS THIS!! Share this link and support our TFG Representatives.

Nitty Scott MC rocking Triple F.A.T. Goose in Straight Stuntin Magazine

TFG Rep “Every Time I Die” is set to release Ex-Lives on Epitaph Records.  We were lucky enough to listen to the album in its entirety before its release date on March 6th. 

New and old fans alike will not be disappointed with the newest installment to the burgeoning Buffalo natives discography.  Staying true to their technical arrangements and their front man Keith Buckley’s melodic interpretation of poetry, Ex Lives  is the heart pounding, all action, agglomeration of the past three years. 

Stream Ex Lives now online 

Outfitted in Triple F.A.T Goose is Sean Rose – an emerging songwriter/rapper from Las Vegas, Nevada. For most, Las Vegas is known as the “city of sin” where tourists come to experience the exquisite hotels, nightlife, and bright lights of the strip that never rest - but for Sean Rose, Las Vegas is home. He started writing his own lyrics at the age of 12 but now at the age of 23, Rose is ready to emcee the reality of Las Vegas. Beyond the neon lights and casinos exists a city that still deals with issues of teenage prostitution and the struggle to stay employed due to its reliance on tourism.  Here to tell it all is Sean Rose and we, at TFG, anticipate the rise of Rose as he tells his side of the Fabulous Las Vegas.

Our tradeshow booth in Las Vegas.

When The New Royalty formed in 2008 they started as a ‘cover band’ doing studio sessions at a music school. Now, writing and performing original music they worked hard to earn sponsorship from Leader Records International.  This five-member band from Central Jersey has played some huge music festivals such as Bamboozle in 2011 and is in rotation on Argentina’s VH1 and MTV.  You can also hear their music in rotation on top 40 radio stations across the country. Their latest stage presence was raved about at Vans Warped Tour as they continue to pick up more buzz by fans and promoters.  We are glad to introduce TFG Representatives - The New Royalty.  

The UK Field Jacket.  Constructed with semi transparent white cotton fabric showing an interior blue plaid pattern.  Rope pullers with faux leather trimming complement this lightweight spring outerwear piece.  Available now in the TFG Store.

Written by: Amy Powell 

Tonight is BLVD’s third annual winter showcase at The Independent in San Francisco. Just six days after

New Year’s Eve, winter takes a turn for the warmer while locals take the popular venue by storm. All

guests are in rare form, including an unwavering party-ready honey badger centered prominently on the

show flier- “Honey badger don’t care… honey badger just wants to get down!”

House lights dim to dark and three slender silhouettes slip on stage. A methodical pulse hits through the

kick drum as the stage is swept over by a rich peach glow that illuminates the members of BLVD– Dylan

McIntosh, drums/samples, Curtis Sloane, electric guitar/samples, and Tripp Bains, bass/keyboard. For the

next ninety minutes, BLVD takes their audience– both local fans and long-time friends– on an euphoric

rollercoaster of synthesized jams, mashed up remixes, electro pop riffs, and energized arrangements that

showcase classic BLVD genius; one epic dance party.

Their set– built on covered samples from Michael Jackson, Kaskade, Yeah Yeah Yeahs, Ghostland

Observatory, Foster the People, Empire of the Sun, LMFAO, Foals and Calvin Harris– is peppered with

signature beats and new rhythms ranging from original Cuban Sahara to popular Miami cool. BLVD makes

conscious effort to feature melodies that celebrate their initial blend of unique synthesized melodies and

unpolluted instrumental technique– eerie X-Files cadence glittered with angelic beats that give way to hardhitting wah-wah bass.

Center stage, under sporadic projections of Japanese characters and pulsing heart rate monitors, McIntosh

shoots a smirk to Bains at stage right and then looks to Sloane at stage left before announcing the next

selection in their set, BLVD’s first-written song, “Again in the Light.”

BLVD is nine years deep, three men strong, four albums produced, and thousands of fans deserved. With a

reinvented sound full of energy, sophisticated attitude and just enough pop culture to keep critics on their

toes, BLVD still holds electronic legacy to make fans– and even a ferocious honey badger– get down.